社会学视域下不同文化间的音乐理解——中国音乐史学问题思索之十一

Understanding Music between Different Cultures from a Sociological Perspective——Thoughts on the Issues of Chinese Music Historiography(Part XI)

本文以社会学理论为视野,论及文化与音乐文化的构成,谈及中国音乐与世界不同文明间音乐文化的共性与差异,阐述在对不同民族音乐语言或其他不熟悉的音乐情事上的认同时应持有的态度,阐述对不同地域音乐的“理解”时,需要沟通人与人的心灵、化解人与人之间在音乐情事上的隔阂与误解。要把世界不同民族、不同时代、不同特色的音乐文化,都纳入社会学的视域中,将其放在同一认知平台上,以不怀偏见的态度进行理解与研究,以音乐社会学共通法则进行探索,是音乐文化研究整体观的充分体现。在对待中国各民族不同文化间的多元音乐文化,也应持平等客观的态度,同等地重视不同地域与民族的音乐文化,这是我们在研究中国民族音乐文化时值得审慎对待的问题。

From the perspective of sociological theory,this article discusses the composition of culture and music culture,discusses the commonalities and differences of music culture between Chinese music and different civilizations in the world,elaborates on the attitudes that should be held when identifying with different ethnic music languages or other unfamiliar music situations,and explains the need to communicate the hearts of people and resolve the barriers and misunderstandings between people in music matters when"understanding"music from different regions.To incorporate the music cultures of different ethnicities,eras,and characteristics of the world into the perspective of sociology,place them on the same cognitive platform,understand and study them with an unbiased attitude,and explore them with the common principles of music sociology,is a full embodiment of the holistic view of music culture research.We should also adopt an equal and objective attitude towards the diverse music cultures of different ethnic groups and cultures in China,and attach equal importance to the music cultures of different regions and ethnic groups.This is an issue that deserves careful consideration when studying Chinese ethnic music culture.