匈奴与汉文化动物纹的对比分析

Comparative Analysis of the Animal Patterns between Xiongnu and Han Culture

匈、汉动物纹的关系可以分为西汉早期晚段至西汉晚期、西汉末期至东汉早期或前期这两个阶段。早段虽然两者均流行源自欧亚草原的神兽纹,但是汉文化主要流行平面化的讹变的大角神兽,匈奴主要流行与鹰形态接近的格里芬和写实风格的猛兽。汉文化的翼龙、麒麟等神兽在晚段之初即成为匈奴动物纹的主体,之后匈奴动物纹的表现手法也进一步汉化,但是汉文化的麒麟纹一经出现就明显可见受到匈奴写实风格动物纹的影响。

The relationship between the Xiongnu and Han animal patterns can be divided into two stage.The first stage is through late of early West Han to late West Han,the second stage is through the end of West Han to the first half of East Han.During the first stage,even though the Eurasia Steppe originated mythical creatures patterns were popular both in Xiongnu and Han,but the most popular mythical creatures pattern of Han culture was erroneous transformed large horn mythical creatures,and hawk like Griffin as well as realistic style fierce animal were most popular mythical creatures pattern of Xiongnu.During second stage,Han style winged dragon and kylin occupied the subject of Xiongnu animal pattern firstly,shortly afterwards the technique of animal image expression became Han style as well,but the realistic style animal pattern of Xiongnu influenced Han style Kilin clearly at the beginning of its emergence.