摘要
陶房屋模型作为一种重要的建筑明器,是在“事死如事生”的儒家孝悌思想和厚葬等丧葬观念的影响下出现的,与青铜器、玉器、金银器等共同作为墓主的身份和财富象征。其除了反映当时的建筑技术外,也提供给我们更多的丧葬习俗及相关的文化信息。本文选取金砂山古墓群117号墓中出土的陶房屋模型为研究对象,通过对其单体建筑的名称、用途及整体的造型进行分析,从而为研究汉代云南与中原地区的政治、经济、文化交流提供更多的参考依据。
As an essential architectural burial objects,the pottery house model emerged under the influence of Confucian filial piety and funeral concepts such as thick burial,and together with bronze,jade,gold,and silver,the pottery house model also serves as a symbol of the tomb owner's identity and wealth.In addition to reflecting the architectural techniques of the time,it also offers information into funeral customs and associated culture.This study focuses on the pottery house model excavated from Tomb No.117 of the Jinshashan Ancient Tomb Group,analyzing the name,function,and overall structure of the single building,to provide further reference for the investigation of political,economic,and cultural exchanges between Yunnan and the Central Plains during the Han Dynasty.
作者
倪艳红
柴璐
Ni Yanhong;Chai Lu(Kunming Jinning District Cultural Relics Management Institute;Yunnan University)
出处
《草原文物》
2024年第2期99-103,共5页
Steppe Cultural Relics
关键词
金砂山墓地
陶房屋模型
建筑明器
文化交流
Jinshashan Cemetery
Pottery House Model
Architectural Burial Objects