新世纪以来中国电影中川西地区的空间生产——基于乡村振兴战略的考察

Space Production of West Sichuan in China’s Movies Since the Start of the New Century——Investigations Made on the Rural Revitalization Strategy

基于对社会空间的整合性考察,列斐伏尔提出了空间实践、空间表象和表征性空间的空间三元辩证法。对于新世纪以来中国电影中的川西地区而言,这种三元辩证法是由形式范畴下的人造风景、话语建构式的乡土乌托邦、第三化活动中的旅行意象共同构成。川西影像的空间生产需要不断丰富现有的表征性空间,并动用身体的全部能量开发全新的表征性空间,这不但有助于确保该空间的生产活力,也有利于持续发挥川西影像在振兴乡村中的积极作用。

Lefebvre presented a triadic dialectics of space like spatial practice,representations of space and representational spaces by taking a comprehensive investigation into social space.As far as west Sichuan presented in the movies in China since the advent of the new century,such triadic dialectics is formed by artificial landscapes in the category of form,discourse-constructed rural utopia,travel images of representational spaces.Space production in west Sichuan images needs to incessantly enrich the existent representational spaces,and gives full play to brand-new representational spaces by drawing on all the strengths of the bodies.So doing not merely ensures the productive dynamism of this space,but also conduces to continuously bringing west Sichuan images’positive roles into effect in the field of rural revitalization.