毛泽东诗词中的“革命”美学与意识形态——以秋收起义至中央苏区时期(1927—1934)为例

Revolutionary Aesthetics and Ideology in Mao Zedong's Poetry:A Case Study of the period from the Autumn Harvest Uprising to the Central Soviet District(1927-1934)

全文从毛泽东诗词的形式、内容、美学风格和主体四方面来论证毛泽东诗词为何形式是传统的,内容却是现代的。毛泽东的诗词体现了进步的时间观,注入了马克思主义美学。全文通过具体的作品分析,展示毛泽东如何在诗词中注入无产阶级革命意识形态;建构崇高积极的美学风格;坚持以工农群众为主体。毛泽东对旧体诗的民族化和大众化探索,使旧体诗重新焕发了生命力,为旧体诗在新文学中的出路提供了宝贵的艺术经验。

This paper aims to analyze the style of Mao Zedong's poetry in terms of form,content,aesthetics and body to explain its modern content despite of its traditional form.Mao's poetry embodies a progressive view of the times and incorporates Marxist aesthetics.On the basis of the analysis of specific works,this paper is to study how Mao infused his poetry with proletarian revolutionary ideas,constructed a sublime and positive aesthetic style,and insisted on the masses of workers and peasants as the main body.Mao's exploration of the nationalization and popularization of classical poetry brought classical Chinese poetry back to life and provided valuable artistic experience for the way out of classical poetry in new literature.