中国新黑色电影的现实主义审美表征研究

Realistic Aesthetics in Chinese Neo-Noir

中国新黑色电影是一个行进中的流派,其作为中国本土文化与西方电影类型的结合体,在黑色影像生产沿革中呈现出现实主义的审美表征。在比较文化学视域下,中国新黑色电影是具备现实主义文化渊源的开放性类型对话。首先,从现实主义影像范畴审视中国新黑色电影,其现实主义之形式表征主要体现为现实主义风格的电影视听语言生产机制。其次,在现实主义理论谱系中,中国新黑色电影的现实主义之思想内涵包括现实本体美学、社会问题反思与人性生存观照。最后,中国新黑色电影的现实主义美学体系具备鲜明的形式特征与深厚的思想内涵,在文化、艺术及社会等多方面都具有理论意义与现实价值。

As a burgeoning genre,Chinese neo-noir not only conbines Chinese cultural elements with Western film aesthetics,but presents a realistic portrayal of noir imagery,possessing an open dialogue of genre evolution in a comparative research method and cross-cultural perspective.Firstly,examining Chinese neo-noir from the perspective of realistic imagery,the formal representation of realism is mainly reflected in the production mechanism of film audio-visual language in a realistic style.Secondly,the ideological connotation of realism in Chinese neo-noir includes the ontological aesthetics of reality,the reflection on social issues,and the observation of human survival.Finally,the realistic aesthetic system of Chinese neo-noir has distinct formal characteristics and profound connotations,which have theoretical significance and practical value in various aspects such as culture,art,and society.