魏晋十六国河西地区羽人图像考

An Examination of the Feathered Man Imagery in the Hexi Region during the Wei,Jin,and Sixteen Kingdoms Period

羽人作为汉魏南北朝时期流行的装饰题材,常见于各类文物资料中。河西地区羽人自东汉末年出现延续至十六国,自东向西逐步从汉式羽人向世俗化的常人形象转变,题材从汉代传统的骑驾、戏兽类转变为奔跑、飞翔类。河西地区羽人常人化形象出现时间早,数量相对较多,区域特征鲜明,发展演变规律清晰,对北魏早期羽人形象及题材产生直接影响。并在南北朝时期形成了种类丰富、具有常人化特征的南方系和北方系羽人,体现了不同区域之间墓葬画像和艺术形象的交流与融合。

The feathered figure,as a popular decorative motif during the Han,Wei,and Northern and Southern Dynasties,is commonly found in various cultural artifacts.In the Hexi region,feathered figures emerged during the late Eastern Han period and continued through the Sixteen Kingdoms.Over time,these figures evolved from traditional Han-style depictions to more secular representations of ordinary people,with themes shifting from horseback riding and animal performances to running and flying.The appearance of anthropomorphized feathered figures in the Hexi region occurred early and is relatively abundant,with distinct regional characteristics and evolutionary patterns that directly influenced the early feathered figures of the Northern Wei.During the Northern and Southern Dynasties,this led to the formation of a diverse array of feathered figures,characterized by anthropomorphism,in both the Southern and Northern styles,reflecting the exchange and integration of burial imagery and artistic representations across different regions.