敦煌壁画骑马者身份与空间构形

Identity and Spatial Configuration of Horse Riders in Dunhuang Murals

敦煌作为古代丝绸之路的重要枢纽,其壁画中的马图像堪称中西文明交流的独特叙事。敦煌壁画中骑马者君使身份的叙事,透露出国土与异域空间的文化交流,体现出古代中华文明的辉煌灿烂和异域文化的独特魅力。骑马者的夷、夏身份,共同构成了多元一体的文化格局,展现出古代社会的开放包容与和谐共处,彰显出民族交融的天下秩序。值得一提的是,骑马者萨埵和悉达多的释家身份叙述,展现了释迦牟尼佛由世俗空间走向神圣境界的生命历程。这些壁画不仅展示了古代中国的文化魅力与智慧,更为中西文化交流提供了独特的观赏视角和审美经验。

Dunhuang was a significant hub of the ancient Silk Road,and the horse images in its murals constitute a unique narrative of exchanges between Chinese and Western civilizations.The narratives of the identity of the envoys who are horse riders in Dunhuang Murals reveal the cultural exchanges between the homeland and the exotic space,reflecting the brilliance of ancient Chinese civilization and the unique charm of exotic cultures.The identities of the horse riders,Yi and Xia,together constitute a diverse yet unified cultural pattern,demonstrating the openness,inclusiveness,and harmonious coexistence of ancient society,highlighting the universal order of ethnic integration.It is worth mentioning that the narratives of the Buddhist identity of the horse rider,Sattva and Siddhartha,shows the life journey of Shakyamuni Buddha from the secular space to the sacred realm.These murals not only show the cultural charm and wisdom of ancient China,but also provide a unique viewing perspective and aesthetic experience for cultural exchanges between China and the West.