摘要
本文通过对多屏互动公共艺术装置作品《合奏》的研究,探索当代艺术创作者如何将工业屏幕、传感器等媒介技术与艺术内容有机融合,运用多屏互动实现数字创新。作品通过拼接屏幕进行数字编织,将叙事、审美与创意从平面拓展到时间和空间的维度,力求为公众打造更具价值感的艺术体验。在这个过程中,笔者经历了从初创构想到展览呈现的场景转换,体验了从指导教师到联合创作者的双重角色,并通过与工作室师生团队的共同思考和实验,逐步塑造出独特的创作方法。
This article studies Ensemble,a multi-screen interactive public art installation,to explore how contemporary artists can integrate screens,sensors and other media technologies with art content and realize digital innovation through multi-screen interaction.Ensemble weaves screens digitally to expand narrative,aesthetics and creativity from flat surface to the dimensions of time and space,striving to provide the public with a more valuable art experience.In this process,the author witnessed the whole process from conception all the way to curation as both an instructor and co-creator,and gradually developed a unique way of creation through thinking and experimenting with other teachers and students of the entire team.
作者
卢英英
Lu Yingying(Central Academy of Fine Arts)
出处
《美术》
CSSCI
北大核心
2024年第10期140-142,共3页
Art Magazine
关键词
体验式公共艺术
多屏互动
数字艺术
跨界创新
experiential public art
multi-screen interaction
digital art
cross-border innovation