油画与国画对静物的融合表现

The Integrated Expression of Objects in Oil Painting and Chinese Painting

本文从静物的题材选择与构图形式层面分析油画与国画的区别,表明中国传统国画作为一种传达情怀的途径,多表现寄物抒情的“花鸟”,如梅、兰、竹、菊四君子题材,而西方古典油画以反映真实自然为原则,多选取现实中的“静物”,将其发展为独立门类;油画在构图上采用焦点透视取景法,以“框”的形式将所画对象限制在画面内部,而国画的散点透视构图范式,以移动视点表现流动时空中的“物”,在此基础上本文以笔者的油画静物创作为例,探讨将中国传统元素融入西方油画媒介的有效途径。

This article analyzes differences between oil painting and Chinese painting from the theme choice and composition of still life.Traditional Chinese painting often expresses emotions through"flowers and birds",including plum,orchid,bamboo and chrysanthemum,whereas classical oil painting in the west follows the principle of reflecting the real nature,mostly"objects"in real life,and develops into an independent genre.The former uses linear perspective in composition and limits objects in a"frame",whereas the latter uses scattered perspective to depict"objects"in flowing time and space with a moving viewpoint.On this basis,this article takes the author's oil still life creation as an example to explore effective ways to integrate traditional Chinese elements into western oil painting.