漫游、再现与重构:民族志方法视角下的空间设计与女性实践

Wandering,Representation,and Reconstruction:Space Design and Women's Practices from an Ethnographic Perspective

采用感官民族志方法,以步行与自身的感官经验为工具,探究台北信义商圈的消费空间设计与女性日常实践的关系,将列斐伏尔的空间三元论与韵律分析作为理论框架,通过感官民族志的方法,藉由听觉、嗅觉、触觉等感官经验进行观察,并将个人的感受、体验、身体经验等纳入田野资料中。首先,在消费文化越来越集中于视觉的脉络下,探究信义商圈中围绕着女性的空间再现,主要研究在此空间建筑、海报、广告以及空间配置形塑出了怎样的带有女性象征符号的性别场域与空间设计;其次,以自身感官经验为工具,观察信义商圈中的空间实践,包含空间的结构、路径和网路是如何进行精心设计;最后,结合田野观察,了解女性的空间符号互动实践与共构的韵律。

This study adopts sensory ethnography to explore the relationship between the design of consumption spaces in Taipei's Xinyi commercial district and women's daily practices through walking and personal sensory experiences.The Production of Space and rhythm analysis as the theoretical framework.Using sensory ethnography,incorporating personal feelings,experiences,and bodily sensations into the field data:This study investigates the spatial representation centered around women in Xinyi district,focusing on how architecture,posters,advertisements,and spatial arrangements create gendered fields and space designs imbued with female symbolic meanings.And,using personal sensory experiences as a tool,the study observes spatial practices in Xinyi district,including how the structure,paths,and networks of spaces are designed.Finally,the study explores women's interactive practices with spatial symbols and the constructed rhythms.