博物馆叙事展览策展实践与思考——以“大唐遗宝——何家村窖藏出土文物展”改陈为例

Curatorial Practices and Reflections on Narrative Exhibitions:A Case Study Based on the Reinstallation of The Exhibition Entitled Treasures of the Great Tang Dynasty-Artifacts from the Hejiacun Hoard

博物馆大多文物展览因太过强调文物的物性而忽视了其内在联系与历史语境,使得展览存在同质化严重、类型单一、对话缺失的问题。为了摆脱这一现实困境,我国博物馆界引进了西方叙事学理论,并将其应用到博物馆研究和展览策划实践中。陕西历史博物馆的“大唐遗宝展”在改陈过程中将叙事与赏物、体验相结合,从叙事故事的构建与叙事话语的表达两个维度进行了探索与实践,突破了以往只讲“物”的层面,使展览真正起到了叙述历史、传承文化的作用。

Museum exhibitions of artifacts often overemphasize the physical attributes of artifacts,neglecting their intrinsic connections and historical contexts.This leads to issues such as severe homogenization,single exhibition types,and a lack of dialogue.To address these problems,China's museum industry has introduced the Western narrative theory and applied it to museum research and exhibition planning practices.The Treasures of the Great Tang Dynasty exhibition at the Shaanxi History Museum combined narrative with artifact appreciation and visitor experience during its redesign process.It explored and practiced narrative construction and narrative discourse,moving beyond a sole focus on artifacts to truly narrate history and pass on culture.