宋金时期瓷枕婴戏纹研究

Study on Infant Patterns of Porcelain Pillows in Song and Jin Dynasties

瓷枕是我国传统民间陶瓷工艺产物最具代表性的种类之一,最早发源于隋唐,兴盛于宋金时期。由于宋金时期经济的发展和城市的繁荣,瓷枕在满足实用功能的前提下,对艺术形式的表达有了新要求,这一时期瓷枕装饰内容多绘风俗小品,尤以反映时代文化和艺术审美的婴戏纹较为广泛。笔者以宋金时期瓷枕上的装饰纹样——婴戏纹为研究对象,通过对其表现形式的分类整理,分析该纹饰在宋金瓷枕盛行的原因,从而探讨其蕴含的装饰语言和审美内涵对后世陶瓷艺术的影响。

Porcelain pillow is one of the most representative types of traditional folk ceramic craft products in China, which originated in Sui and Tang dynasties and flourished in Song and Jin dynasties. Due to the economic development and the prosperity of the city in the Song and Jin dynasties, porcelain pillows have new requirements for the expression of art forms under the premise of satisfying practical functions. The decorative content of porcelain pillows in this period is mostly painted custom pieces, especially the infant pattern that reflects the culture and artistic aesthetics.This paper takes the decorative patterns on porcelain pillows in the Song and Jin dynasties as the research object, analyzes the reasons for the popularity of the decorative patterns on porcelain pillows in the Song and Jin dynasties, and probes into the influence of the decorative language and aesthetic connotation on later ceramic art.