梁鸿的底层书写与新农村想象

Liang Hong's Underclass Writing and Her Imagination of the New Countryside

梁鸿在文学批评阶段形成了坚定的底层立场,走出底层之后她又毅然以写作实践重返底层。她把“乡愁”作为一种方法,以“浸入式”的笔触将故乡梁庄人民的日常生活状态锁定于文学真实之中,运用现实主义、现代主义等多种创作技法实现了多维表达的可能,进而展现出社会转型期下被遮蔽的底层面貌,在学理层面上做出了自己对当代底层知识分子的命运观照与新农村主体建构的文学想象,其创作也由此呈现出独特的思想特质和艺术张力。

Liang Hong formed a firm position about underclass writing in the stage of literary criticism,and she resolutely returned to the writing about underclass after stepping out of it.She took “homesickness” as a method,depicted the daily life of the people in her hometown Liangzhuang in literary reality with an “immersive” style of writing,and realized the possibility of multi-dimensional expression by applying realism,modernism or other creative techniques,thus showing the obscured living of the lower class in the period of social transformation.She also made her own literary imagination of the fate of contemporary lower-class intellectuals and the construction of new rural subjects at the theoretical level,and therefore her works presented a unique ideological characteristics and artistic tension.