粤剧舞台声音景观探微——以革命历史题材剧目为例

Exploring the Stage Soundscape of Cantonese Opera:Taking the Repertoire Themed on Revolutionary History as an Example

“声音景观”这一概念在中国近些年的学术界逐渐成为热点,但对于舞台声音景观的研究并不多见。舞台一直是承载戏曲表演最重要的场域,而粤剧发展史上具有里程碑意义的革命历史题材剧目,是粤剧舞台声音景观的典型代表。归纳总结革命历史题材粤剧在舞台上的声音与听觉视域呈现,借鉴民族音乐学界的“声音建造—听觉感受”双向研究模式,采用聆听、声音漫步的两种基本研究方法,结合案例分析和理论阐述,挖掘粤剧革命历史题材的舞台声音图景,方能推动当下粤剧创作中的声音景观建构,也有利于全国地方剧种剧目创作中的声音景观建构。

The concept of"soundscape"has gradually become a hot topic in China's academic circle in recent years,but not many studies have been conducted on stage soundscapes.The stage has always been the most important venue for traditional Chinese opera performances,and the revolutionary historical plays,which is the milestone in the development of Cantonese opera,are typical representatives of the stage soundscape of Cantonese opera.In order to promote the soundscape construction in the creation of contemporary Cantonese opera,and to facilitate the soundscape construction in the creation of repertoire of local operas in China,it is important to summarize the presentation of sound and auditory visual field on the stage of Cantonese opera themed on revolutionary history,to draw on the"sound construction-auditory perception' two-way research model"in the field of ethnomusicology,and to adopt two basic research methods,namely,listening and sound walking,combined with case study and theoretical analysis,to excavate the stage soundscape of the revolutionary history themed materials of Cantonese opera.