清代透视学考辨及溯源

Examination of the Origin of Perspective in the Qing Dynasty

清代透视学是中西方美术交流的重要案例。文章探讨了“西风东渐”中焦点透视学的发展脉络,以及它与中国传统绘画中散点透视法由冲突至融合的过程。通过对年希尧的透视学著作和清代绘画的研究可知,清代透视学在艺术理论和美术创作上具有中西合璧的特征。从历史文献、绘画作品和艺术评论的综合分析情况来看,考辨及溯源清代透视学在中国艺术史中的独特地位具有深远的意义。

The perspective in the Qing Dynasty is an important example of the exchange between Chinese and Western art.This article explores the development of focal perspective in the"Eastward Movement of the West",and the process of conflict and integration between focal perspective and traditional Chinese painting method of diffuse perspective.The study of Nian Xiyao's works on perspective and Qing Dynasty paintings reveals that the study of perspective in the Qing Dynasty was characterized by the fusion of East and West in the theory and creation of art.Through a comprehensive analysis of historical documents,paintings and art criticism,this paper identifies and traces the unique position and far-reaching influence of the study of perspective of the Qing Dynasty in Chinese art history.