边界的跨越及其悖论——美术史跨学科研究述评

The Transcendence and Paradox of Boundaries:Review on the Interdisciplinary Research on Fine Arts History

随着美术史认知边界不断地演变、突破和延伸,跨学科的研究方向成为目前美术史发展之大势所趋。美术研究离不开学科之间的跨界互涉和对话,而这种跨学科研究的不断交叠、拓展与深化,正是新文科视阈下实现研究观念与方法创新的一种重要途径。本文梳理中西方美术史跨学科发展历程,讨论美术学科与其他学科之间的互动及其悖论,探寻美术史如何在跨学科发展中确立自身的学术独立性与主体地位,以重新审视美术史研究的发展潜能。

As the cognitive boundaries of fines arts history continue to be developed,broken through and extend,the direction of interdisciplinary research has become a major trend in the development of fines arts history.Fine arts research cannot be separated from cross-border interactions and dialogues between disciplines,and the continuous overlapping,expansion and deepening of interdisciplinary research is an important way to realize the innovation of research concepts and methods in the perspective of new liberal arts.This paper summarizes the history of interdisciplinary development of fines arts history in China and the West,discusses the interaction between the discipline of fine arts and other disciplines and their paradoxes,and explores how fines arts history establishes its own academic independence and subject position in the development of interdisciplinary development,in order to re-examine the potential in the development of fines arts history research.