摘要
“京味话剧”这一说法在20世纪80年代中后期被批评家广泛使用,后作为一种话剧类型进入中国当代戏剧史。但“京味话剧”的概念一直较为模糊,这和“京味”内涵的复杂性及其发展变化密切相关。探讨何为“京味话剧”,不仅要反思何为“京味”,还要将话剧这种舞台艺术放在与剧场的互动关系中加以理解。而何为“京味话剧”也决定了“京味话剧”何为,从“京味话剧”到21世纪之后衍生出的“新京味话剧”,其产生的历史情境虽然发生了巨大变化,但是核心精神特质和审美功能是一以贯之的。
The term “Beijing style drama” was widely used by critics in the mid to late 1980s and later entered the history of contemporary Chinese drama as a type of drama.However,the concept of “Beijing style drama” has always been relatively vague,which is closely related to the complexity and development of the connotation of “Beijing style”.Exploring what “Beijing style drama” is not only requires reflecting on what “Beijing style” is,but also we should understand this stage art in the interactive relationship with the theater.And what “Beijing style drama” is also determines what is “Beijing style drama” for.From “Beijing style drama” to the “New Beijing style drama” that emerged after the new century,although the historical context of its emergence has undergone significant changes,their crucial spiritual characteristics and aesthetic functions are consistent.
作者
褚云侠
CHU Yunxia(School of Chinese Language and Literature,University of International Business and Economics,Beijing 100029)
出处
《艺术百家》
CSSCI
北大核心
2024年第4期84-91,共8页
Hundred Schools In Arts
基金
2022年度北京市文联基础理论课题研究项目“北京人艺与‘京味儿’话剧的生成与变迁研究”(项目编号:BJSWLJCLLKT2203)阶段性成果
2023年度对外经济贸易大学中央高校基本科研业务费专项资金资助项目(项目编号:23YB16)阶段性成果之一。
关键词
“京味”
“京味话剧”
北京人艺
"Beijing Flavor"
"Beijing Style Drama"
Beijing People's Art Theatre