爱与自由的两端——嫦娥奔月神话的当代书写

The Balance of the Love and Self-Awareness——Contemporary Writing of the Myth of Chang’e Flying to the Moon

嫦娥作为中国的“娜拉”,其象征出走的“奔月”行为一直为人们探讨。尤其是20世纪90年代以来,嫦娥形象的书写呈现出对性别意识与个体身份的关注。以袁珂的剧本《嫦娥奔月》、叶兆言的小说《后羿》和毕飞宇的《青衣》等作品为研究对象,探讨对嫦娥奔月神话的改写以及改写背后的意图,分析嫦娥形象在作品中是怎样被观看和塑造,又是怎样在不同的“奔月”中找到主体性。“奔月”的重写既是对两性启蒙历史的反省,亦是对当代作家所处时代的回应。

Chang’e,as the“Nora”of China,her flying behavior symbolizing escape has always been a topic of discussion for people.Especially since the 1990s,the portrayal of Chang’e has shown a focus on gender consciousness and individual identity.This paper mainly takes Yuan Ke’s script Chang’e Flying to the Moon,Ye Zhaoyan’s novel Houyi,Bi Feiyu’s Qingyi and other works as research objects,exploring the rewrite of the myth of Chang‘e flying to the moon and the intentions behind the rewrite.How the image of Chang’e was shaped during the transition between new and old cultures,and how it found subjectivity in the broader context of“escapinging to the moon”.The rewrite of“flying to the moon”is not only a reflection on the history of gender enlightenment,but also a response to the era in which contemporary writers lived.