从《作诗志彀》到《孝经楼诗话》——论山本北山的诗论递变与对明清诗学的接受过程

From Zuo Shi Zhi Gou to Xiao Jing Lou Shi Hua:On the Evolution of Yamamoto Hokuzan's Poetic Theory and the Process of Accepting Ming-Qing Poetics

山本北山是江户诗风由尊唐转向宗宋的关键人物。其《作诗志彀》与《孝经楼诗话》之间的刊行相隔二十六年,二书反映了山本北山的诗论递变,创作目的由打破萱园派垄断地位变为确立清新派学诗路径、评判对象由徕门转向明清诗坛、“因唐得宋”的宋诗观逐渐生成、文学功能论由“诗文小道”变为“可奋起人之忠义心”。这些变化展现了天明至文化初年江户诗坛宗宋诗风的确立过程及其对清代诗学的接受情况,具有跨文化诗学研究价值。

Yamamoto Hokuzan was a pivotal figure in the Edo poetry scene,witnessing the transition from reverence for Tang poetry to embracing Song poetry.With a twenty-six-year gap between the publications of Zuo Shi Zhi Gou and Xiaojing Lou Shihua,these two treatises reflect the evolution of Yamamoto Hokuzan's poetic theory.His original aim of breaking the monopoly of the Kanyuan School shifted to establishing a path for the Qingxin School in poetic studies.Furthermore,the focus of criticism transitioned from the Li Gate poets to poets of the Ming and Qing dynasties.The gradual emergence of an appreciation for Song poetry,epitomized by the adage"deriving Song from Tang"is evident.Additionally,the discussion of literary function shifted from mere aesthetic pursuits to fostering loyalty and righteousness in individuals.These changes illustrate the establishment of the Song-style poetic tradition in the early Edo period and its reception of Qing dynasty poetic studies,thus bearing significant value for cross-cultural poetic studies.