木下杢太郎对和辻哲郎佛教艺术观点的态度转变

Kinoshita Mokutaro's Change of Attitude towards Watsuji Tetsuro's Views on Buddhist Art

木下杢太郎在中国期间对中国、朝鲜半岛、日本的佛教艺术进行了实地踏查和研究。在就佛教艺术与和辻哲郎进行交流的过程中,对和辻哲郎的奈良古佛像反映了日本特质的观点,木下杢太郎的态度从“不确定是否是”到“确定不是”,发生了很大的变化。这种变化一方面以他亲自踏查中国、朝鲜半岛的佛教遗迹所得出的结论为支撑,另一方面源于他在此期间从“日本”到“东洋”的立场转变。而他的这种立场的转变所折射出的是近代日本知识分子对于日本身份认知的复杂性。

During his Chinese period,Kinoshita Mokutaro did fieldwork and research on Buddhist art in China,the Korean Peninsula,and Japan.From"uncertain whether it is"to"definitely not",there was a significant change in Kinoshita Mokutaro's attitude towards Watsuji Tetsuro's view of Nara Buddha statues reflecting Japanese characteristics,when he exchanged views about Buddhist art with Watsuji.On the one hand,this change is supported by his personal investigation of Buddhist relics in China and the Korean Peninsula,and on the other hand,it stems from his shift in stance from"Japan"to"the East"during this period.His shift in stance reflects the complexity of modern Japanese intellectuals'perception of Japanese identity.