论视频的分类与独创性认定

On the Classification and Originality Recognition of Videos

随着全媒体时代的来临,新媒体技术飞速发展,媒体融合不断加剧,视频成为传播内容的主要方式之一,并产生了巨大的经济价值。然而,我国著作权立法和司法未能顺应这一变化,对视频的保护分类不清,对视听作品的保护仍停留在“电影时代”,体现出很强的“媒体规则”。固守传统电影、电视剧的媒体传播分类和权利归属模式,忽略了全媒体时代下视频的制作和传播都已经呈现出全新样态的时代特征。全媒体时代应当以独创性为依据将视频划分为视听作品、录像制品和其他视频三种类型,并在视听作品中放弃电影作品、电视剧作品和其他视听作品的分类方式,权利归属制度应当向着简化媒体类别、统一适用规则的方向发展。

With the advent of the all-media era and the rapid development of new media,media convergence contin-ues to intensify,and video has become one of the main communication contents,generating enormous economic value.However,in China's copyright legislation and judiciary,there has been a failure to adapt to this change,with unclear clas-sification of video protection and the protection of audiovisual works still stuck in the"film era",reflecting strong"media rules".The current phase still adhering to the traditional media communication classification and rights ownership model of movies and TV dramas,ignoring the fact that video production and dissemination have shown a completely new form in the era of multimedia.In the era of multimedia,videos should be classified into three types based on originality:audiovisual works,video products,and other videos.The classification of film works,television drama works,and other audiovisual works should be abandoned in audiovisual works,and the direction of simplifying media categories and uniformly applying rules should be developed in terms of rights ownership.