三重互动:杜诗与钱锺书治学体系(上)

Triple Interaction:Du Fu’s Poetry and Qian Zhongshu’s Academic System(Part I)

杜甫诗作与钱锺书的集部之学、四部之学以及文艺理论建构形成了三重互动关系。杜诗既是钱锺书集部之学尤其是诗学理论的重要基础,也是其经史子集四部典籍阐释不可或缺的因子,与诗画一律、虚色、通感、诗可以怨等文艺理论概念的辨析、生成与建构也有密切的关系。钱锺书的治学体系实现了对杜诗渊源、诗法与接受等诸多层面的阐述,揭示了杜诗蕴含的经史子集各部特征,也示范出杜诗对于建构文艺理论概念的原典作用。学杜、解杜、运用乃至化用杜诗贯穿了钱锺书的学术体系,使得这三重互动之间生成了复杂的互文关系。

Du Fu’s poetry forms a triple interaction with Qian Zhongshu’s studies in the anthologies,the four-part division of classical Chinese literature,and the construction of literary theory.Du Fu’s poetry is not only the foundational basis for Qian Zhongshu’s anthology studies,especially his poetics,but also indispensable elements in his interpretation of classics,histories,philosophical works,and literary collections.Additionally,they are closely related to the analysis,generation,and construction of literary concepts such as the unity of poetry and painting,imaginary colors,synesthesia,and the idea that poetry can express resentment.Qian Zhongshu’s academic system elucidates many aspects of Du Fu’s sources,poetics,and reception,revealing the characteristics of the various parts of classical Chinese literature contained within Du Fu’s poetry,and demonstrates Du Fu’s primary role in constructing literary concepts.The study,interpretation,utilization,and even adaptation of Du Fu’s poetry are interwoven throughout Qian Zhongshu’s academic system,generating complex intertextual relationships among these three interactions.