摘要
俄罗斯科学院东方学研究所首席研究员斯·安·谢罗娃致力于中国戏剧研究60余年,是俄苏汉学史上唯一一位将中国戏剧作为毕生唯一研究课题的汉学家。她以对汤显祖多重身份的认知为基点,力图阐释汤显祖与泰州学派思想观念、明代后期戏剧美学革新理念以及社会发展趋势之间的关系。谢罗娃抓住了解读汤显祖的关键词—“革新”,她要考察具有革新精神的时代背景对汤显祖个人及创作个性形成的影响,同时反过来审视作为文化符号的汤显祖对时代革新精神的进一步推动作用。
S.A.Serova,chief researcher at the Institute of Oriental Studies of the Russian Academy of Sciences,has devoted herself to the study of Chinese Xiqu for more than 60 years.Her work focuses on elucidating the connection between Tang Xianzu and the ideas of Taizhou School,as well as the innovative aesthetic ideas in late Ming Dynasty theatre and their alignment with social development trends.Serova grasps the key word"innovation"in her interpretation of Tang Xianzu,aiming to examine how this innovative atmosphere in the society shaped Tang Xianzu's creativity.Furthermore,she seeks to assess the impact of Tang Xianzu as a cultural icon in fostering and advancing the spirit of innovation during his time.
出处
《戏剧（中央戏剧学院学报）》
CSSCI
北大核心
2024年第5期102-112,共11页
Drama:The Journal of the Central Academy of Drama
基金
国家社科基金中华学术外译项目《中国戏剧史》(俄文版)(项目编号:19WYSB002)
教育部博士后面上资助项目“二十世纪俄苏汉学对中国元曲的研究与接受”(项目编号:2020M670618)的阶段性成果。
