错位的论辩:1955-1957年中国建筑艺术争鸣中的立场与阐释

A Displaced Debate:Positions and Interpretations in the 1955-1957 Chinese Controversy of Architectural Art

立足于文本与话语分析,检视1955-1957年间翟立林、陈志华等学者围绕《建筑学报》刊发的《论建筑艺术与美及民族形式》一文展开的多轮商榷;将文本放置于当时的政治文化语境中,分析不同作者从"建筑艺术"的差异化解释中透露出的建筑观念,批判性考察建筑学界运用马克思主义原理进行建筑理论阐释的适用性及其局限.

Based on textual and discourse analysis,this paper examines the multiple rounds of debates among scholars such as Zhai Lilin and Chen Zhihua regarding the paper"Architectural Art,Beauty,and National Form"during 1955-1957.By situating these texts within the political and cultural context,the paper reveals the diverse architectural ideologies that emerged from varying interpretations of"architectural art."It critically assesses the applicability and constraints of Marxist principles in the explication of architectural theories,highlighting the architectural community's engagement with these doctrines.