摘要
乐器型舞具即乐器类型的舞具,其既是一种乐器,又是舞蹈的道具。过去因为这些舞具的乐器属性,对它们的分类往往是从音乐本位出发,根据音色、形制、演奏方法等方面进行乐器种类的划分,而鲜有从舞蹈本位出发来考虑乐器在舞蹈中的类别。本文所论述的便是以舞蹈为基点论析乐器型舞具在西藏民间舞蹈中的全新分类,旨在完成对乐器的从音乐维度到舞蹈维度的“身份”转换。此外,乐器型舞具在西藏民间舞蹈中还扮演着重要的角色,起到了延伸动作姿态,拓宽技能技艺,给予舞蹈动力的效用。文章笔者还论析了乐器型舞具在西藏民间舞蹈中的具体效用,旨在明确其大有裨益的身份地位。
As a musical instrument and prop for dancing,the instrumental dance prop is both the instrument and prop used for dancing.In the past,because of its instrumental attributes,they were often categorized from the music itself based on tone,shape,and playing method.It is rarely classified based on the dance itself.Therefore,in this study,the new classification of instrumental dance props in Tibetan folk dance was discussed and analyzed based on dance,aiming to complete the identity transformation of musical instruments from the music to the dance dimension.In addition,the instrumental dance prop plays a vital role in Tibetan folk dance by extending the gestures,broadening the skills and techniques,and motivating the dance.Therefore,in this study,the specific utility of the instrumental dance prop in Tibetan folk dance was also discussed and analyzed to clarify their essential identity and status.
出处
《西藏艺术研究》
2024年第3期71-77,共7页
Tibetan Art Studies
关键词
西藏民间舞蹈
乐器型舞具
分类
效用
Tibetan Folk Dance
Instrumental Dance Prop
Classification
Utility