从批判到生产:“内爆”的话语表达与逻辑演进

From Critique to Production:The Discourse Expressionand Logical Evolution of“Implosion”

“内爆”作为后现代话语中使用频率较高的关键概念,意指边界的消失,通常用来描绘在电子媒介和科学技术冲击下,经济社会以及艺术发展中的去分化现象。“内爆”概念内涵的演进展现出理论研究与现实实践的相互切近。在艺术领域中,伴随着技术应用的发展,“内爆”呈现出不同的话语表达方式与实践逻辑。电子媒介时代,作为艺术批判的理论话语,“内爆”有三层意味:“真实的内爆”描绘超真实艺术图景中真实的退场,“意义的内爆”反思艺术作品意义的消解和个性的消逝,“艺术边界的内爆”则是对艺术逐渐丧失纯粹性、自主性及审美价值现象的批判。数字媒介时代,“内爆”在数字艺术生产中演进为“去媒介化”的沉浸式生产逻辑、消除主客二分原则的交互式生产逻辑、创制超真实艺术图景的数字拟像生产逻辑。需要强调的是,“内爆”在数字时代呈现出巨大的创造活力和审美张力,使人们看到科技与艺术融合的更多可能。同时,一体两面式对“内爆”的讨论也为审视当下艺术发展、推进数字时代中国艺术批评理论体系的建设提供独特的视角。

As a pivotal concept frequently employed in postmodern discourse,“implosion”denotes the dissolution of boundaries,typically utilized to characterize the phenomenon of dedifferentiation in economic,social,and artistic development under the influence of electronic media and science and technology.The evolution of the conceptual connotation of“implosion”demonstrates the continual interplay between theoretical inquiry and practical application.Within the realm of art,as technological applications advance continuously,“implosion”manifests diverse modes of discursive expression and practical rationale.In the era of electronic media,as a theoretical discourse within art criticism,“implosion”embodies three layers of significance:“implosion of reality”delineates the retreat of reality within hyper-realistic artistic landscapes;“implosion of meaning”reflects on the vanishing meaning and individuality within artistic works;and“implosion of artistic boundaries”criticizes the gradual erosion of purity,autonomy,and aesthetic value in art.In the age of digital media,“implosion”has evolved into an immersive production logic of“de-media”in the production of digital art,an interactive production logic that eliminates the dichotomy principle of subject and object,and a digital simulation production logic of super-realistic artistic landscape.It is imperative to underscore that“implosion”exhibits significant creative vitality and aesthetic tension in the digital age by presenting expanded possibilities for integrating science,technology and art.Simultaneously discussing“implosion”from both perspectives provides a unique vantage point for examining current developments in art while advancing construction efforts for Chinese theoretical framework of art criticism in this digital age.