情动空间与居间体验:行为表演艺术的气氛美学内涵

Affective Space and Intermediary Experience:The Atmospheric Aesthetics Connotation of Performance Art

“行为表演”通过将“表演”还原为表演者身体行为的自我展示而摒弃了角色扮演,这使得观众的现场体验不再是“刺激-反应”模式下的内在心理感受,而是一种基于身体感受的身体行动。在气氛美学看来,观众的这种身体感受其实是观众身体对表演空间的情动反应,行为表演和观众的参与是同一情动空间中的具身表演和具身参与。因此,观众在行为表演艺术现场的感知,首先不是符号学式的意义解读,而是一种在情动空间中的“居间体验”,其审美发生机制可归结为身体性“共在-居间-共演”。

"Performance"abandons role-playing by the self-presentation of the performer's physical behavior,making the audience's live experience no longer the internal psychological feelings in the"stimulusresponse"mode,but a physical action based on physical feelings.From the perspective of atmospheric aesthetics,the audience's physical sensation is actually the affective response of the audience's body to the performance space.The performance and the audience's participation are in the same affective space as the embodied performance and embodied participation.Therefore,the audience's perception in the performance art scene is not a semiotic interpretation of meaning,but an"intermediary experience"in the affective space,and its aesthetic mechanism can be attributed to the physical"co-existence-intermediary-co-performance".