摘要
在视觉中心主义泛滥的当下的中国,部分不良公共艺术作品存在视觉污染现象。在创作上,内涵粗俗浮浅,艺术手法平庸和缺失场域伦理是普遍问题;在审美形式上,“反美”“伪美”横行,混淆黑白,使公众难以分辨好坏;在视觉内容上,色情、暴力和意识形态污染甚嚣尘上;在接受方式上,视觉体验被不断单一化,甚至滥用、误用,视觉感知力被强行征用。基于此,本文以大量的实际案例和深入的理论分析,提出了对治公共艺术视觉污染的基本策略,以期识者关注。
In China,where visual centrism is rampant,some undesirable public artworks have resulted in visual pollutions:in creation,the connotation is vulgar and superficial,the artistic techniques are mediocre and the lack of field ethics are common;in aesthetic form,"anti-beauty"and"pseudo-beauty"are everywhere,confusing,making it difficult for the public to distinguish between good and bad;in visual content,there is pornography,violence,and ideological pollution;in acceptance,thevisual experience is constantly simplified,even abused and misused,and the visual perception is forcibly expropriated.Therefore,this paper proposes a basic strategy for the treatment of visual pollution in public art with a large number of practical cases and in-depth theoretical analysis,in order to arouse the attention of the concerned parties.
出处
《公共艺术》
2024年第3期57-64,共8页
Public Art
基金
国家社会科学基金艺术学一般项目“图像时代视觉污染的形成机制与治理路径研究”(编号:20BH141)
云南省艺术基金项目“云南城市公共艺术系列评论”(编号:AF2022DG55)成果。