摘要
以“剧场”为媒介的当代艺术创作在近几年不绝如缕。本文试图由艺术家王子月的“问题剧场”切入,回顾剧场艺术自身的发展,并从情境主义的日常生活异化说与歧感美学的观点中,分析剧场艺术与之关联之处,以及剧场艺术对社会现实和个人情动联结的触发。
Contemporary art creation with"theater"as the medium has been continuous in recent years.This article attempts to start from the"problem theater"of artist Wang Ziyue,review the development of theater art itself,and analyze the connection between theater art and the situationist theory of daily life alienation and the aesthetics of discrimination,as well as the triggering of theater art on the connection between social reality and personal emotions.
出处
《艺术当代》
2024年第3期18-22,共5页
Art China
关键词
问题剧场
情境
景观
歧感美学
problem theater
situation
landscape
aesthetics of discrimination