摘要
清孝哲毅皇后像稿为造办处画工绘制皇后朝服像前的底稿,画像经墨线勾勒,用色以简要文字或不规则色块在相应区域标注。该像稿用纸由多块小尺幅纸张拼接而成,材质及拼接方式具有一定特殊性,使其修复与常规帝后像文物有所区别。本研究利用现代科技手段对像稿用纸的厚度、纤维、色度等展开分析,选择与像稿匹配的纸张进行修复,以期对同类文物的科学性修复提供参考借鉴。此外,在修复的基础上,结合孝哲毅皇后朝服像原件,对像稿中的文字及符号标注开展初步研究。
The painters at Qing Imperial Workshop created the preliminary sketch of Empress Xiaozhe Yi’s portrait by the ink line outline,with a brief color text or irregular color block in the corresponding area of the label.The paper used in preliminary sketch was rendered on a compos⁃ite of multiple small sheets of paper,the material and splicing method had a certain degree of specificity,so that it was different from the con⁃ventional emperor and empress like cultural relics restoration.Utilizing modern technology to analyze the thickness,fibers,and color of the original paper for restoration,aiming to provide a reference for the scientific restoration of similar artifacts.Furthermore,based on restoration,combined with the original portrait of Empress Xiaozhe Yi’s court dress,a preliminary study of the text and symbols labeled in the portrait.
作者
时倩
SHI Qian(The Palace Museum,Beijing,100009)
出处
《中国造纸》
CAS
北大核心
2024年第10期91-96,共6页
China Pulp & Paper
关键词
孝哲毅皇后
清皇后像稿
标注
修复
Empress Xiaozhe Yi
preliminary sketch of empress’s portrait
symbols
restoration