摘要
由李睿珺担任导演,武仁林、海清领衔主演的剧情片——《隐入尘烟》于2022年7月在大陆上映。该影片把故事背景设定在2011年的甘肃,讲述了两个农村的失语者相识、相知、相爱共同经营一段生命旅程的故事,具有极强的现实性。影片用“审丑”的方式揭示人性主题,取材于现实,以丑衬托美,以丑为美,美丑结合,实现美丑的转换。用“审丑”的方式将悲剧的内核发挥到极致,展现了极强的崇高之美。
Return to Dust,a drama film directed by Li Ruijun and starring Wu Renlin and Hai Qing,was released in the mainland in July 2022.The film is set in 2011 in Gansu province,telling the story of two rural aphasia people who know each other,love each other and manage a life journey together,with a strong reality.The film reveals the theme of human nature in the way of“examining ugliness”,draws on reality,sets off beauty with ugliness,takes ugliness as beauty,combines beauty with ugliness,and realizes the transformation of beauty and ugliness.In the way of“examining ugliness”,the core of tragedy is played to the extreme,showing a strong noble beauty.
作者
陈彤彤
Tongtong Cheng(School of Humanities,Wenzhou University,Wenzhou Zhejiang)
出处
《新闻传播科学》
2024年第5期1362-1368,共7页
Journalism and Communications
关键词
“审丑”
以丑为美
悲剧
崇高
“Examining Ugliness”
Taking Ugliness as Beauty
Tragedy
Noble