摘要
首先对文字锦的织纹特征与使用情况进行梳理,从现象上指出汉晋时期文字锦多被截断使用的事实;接着通过对经显花工艺的技术探讨,分析文字锦的特征来源,并推论其易被截断与最终落幕的客观原因;最后引入对古代中国礼服“缛”化需求的观察,阐明魏晋以降纬显花工艺的必然“上位”与经显花工艺仍“隐形”存在的丝织进程。
At first,sorts out the weaving characteristics and usage of textual brocade,and proposes the fact that textual brocade was often cut off and used during the Han and Jin dynasties from a phenomenological perspective;Then,through the technical exploration of the Jing Xianhua craft,it analyzes the characteristics and sources of textual brocade,and infer the objective reasons for its easy truncation and final ending;Finally,with an observation of the demand for“Ru”in ancient Chinese formal attire is introduced,it elucidates the inevitable“superiority”of the weft embroidery techniques since the Wei and Jin dynasties and the“invisible”existence of the warp embroidery techniques in the silk weaving process.
出处
《南京艺术学院学报(美术与设计)》
CSSCI
北大核心
2024年第6期22-29,I0002,共9页
Journal of Nanjing University of The Arts:Fine Arts & Design
基金
国家社会科学基金艺术学重大项目《“一带一路”背景下的国家设计政策研究》(20ZD10)阶段性研究成果。
关键词
文字锦
经显花工艺
丝织变革
textual brocade
woven with single woof but colored warp
silk weaving reform