摘要
《志愿军》系列电影以其多层次的叙事视野和细腻的情感刻画,成功谱写了一部震撼人心的民族史诗。影片的摄影创作将光影的流动、情绪的营造、气氛的传达作为创作依托,对新中国的“立国之战”进行了全景式的影像转化与呈现,通过多变的摄影手法切近体察战争中的人物命运,以视觉上的诗意性达成了战争影像的情绪营造,同时在技术与艺术的交融中建构了“抗美援朝”这一经典叙事的新时代言说,完成了光影中的历史重述。
The Volunteers film series successfully composes a stirring national epic with its multi-layered narrative perspective and delicate emotional portrayal.The cinematographic creation of the film relies on the flow of light and shadow,the construction of emotion,and the conveyance of atmosphere.It transforms and presents the"foundational battle"of New China in a panoramic visual style.Through varied cinematographic techniques,it closely observes the fate of individuals in war,achieving emotional resonance in the war imagery with poetic visual aesthetics.At the intersection of technology and artistry,it constructs a contemporary discourse of the classic narrative of the war to resist Us aggression and aid Korea,completing a historical retelling through the medium of light and shadow.
作者
程樯
王浩然
Cheng Qiang;Wang Haoran
出处
《电影艺术》
CSSCI
北大核心
2024年第6期117-123,共7页
Film Art
基金
2023年度国家社科基金艺术学重大项目《创建人类文明新形态视野下的国家战略性影像创作与传播研究》(批准号:23ZD06)子课题三《国家战略性影像的艺术表达与创新路径研究》的阶段性成果。
关键词
电影摄影
战争片
光线设计
影调
视觉诗学
film cinematography
war film
lighting design
tone
visual poetics