权吉浩钢琴作品中的民族意蕴与表现手法探微

An Exploration of National Implication and Expression Technique in Quan Jihao's Piano Works

40多年来,我国著名朝鲜族作曲家权吉浩创作的钢琴组曲《长短的组合》在专业领域广获好评,《雅之声——琴韵》之创新性理念,亦倍受关注,第一钢琴协奏曲《乐戏》《对戏》《入戏》《盘索里印象》等作品,以其独特的创作风格及个性化音乐语汇,受到广泛认可。本文将从权吉浩钢琴音乐的民族意蕴探索过程、权吉浩钢琴音乐的民族意蕴表达方式、权吉浩的创作理念等方面来表述作曲家探寻传统、坚守个性的民族意蕴之表现手法。

For more than 40 years,the piano suite Long and Short composed by the famous Korean composer Quan Jihao has been widely praised in the professional field.The innovative idea of Capriccio—Qin has also attracted much attention.Additionally,compositions such as the first piano concerto Chinese Theatre Art,Song and Dance Duet,Lost in Chinese Opera,and Pansori Impressions,with their unique creative style and personalized musical language,are widely recognized.This article will start from"the process of exploring the ethnic music connotation of Quan Jihao's piano music"and"the expression of the national meaning of Quan Jihao's piano music."It will delve into the new thoughts on melody writing,the colorful refinement of second intervals with embellishment,the use of percussion instruments as fixed textures,the expression of piano timbres that imitate Chinese qin music,and Quan Jihao's compositional concepts,to elucidate the composer's approach to integrating ethnic music connotations with a commitment to both tradition and individuality.