智能化时代背景下“珍道具”的设计语意研究

Research on the Design Semantics of“Chindogu”in the Context of Intelligence Era

消费社会的兴起导致过度消费现象普遍,设计领域亦然,作品趋于同质化,过度依赖华丽的包装与宣传手段抬高价值。在此背景下,20多年前在日本兴起的“珍道具”设计作品,以其看似荒诞无用的特质,引发了人们对科技发展、消费主义及功能主义设计模式的深刻反思。本文旨在介绍“珍道具”及其创作者川上贤司的设计理念,结合如今智能化时代的背景,深入剖析这些作品所蕴含的设计语意,并探讨其对现代设计的启示意义。

The rise of the consumer society leads to overconsumption.and the same as design,works tend to homogenization and over-reliance on packaging and promotional tactics to elevate their value.Against this backdrop,over two decades ago,the Japanese designer Kenji Kawakami created the“Chindogu”These works,with their seemingly absurd and seemingly useless qualities,have triggered profound reflections on technological development and consumerism.This paper aims to introduce“Chindogu”and the design philosophy of their creator.By incorporating the context of today's intelligent era,it delves into the design semantics embodied in these works and explores their enlightening significance for modern design.