转换与再造:陶瓷器物的陌生化

Transformation and Reconstruction:The Defamiliarization of Ceramic Utensils

陌生化是诗学研究、具有本体论意义的概念,有“使之陌生、奇特、不同寻常”之义。采用比较研究、跨学科研究的方法,将陌生化系统性引入到陶瓷器物研究。作为诗学思维模式的陌生化能够突破传统器物“自动化”的魔咒,摆脱器物“前在性”的语言桎梏,悬置以“物用性”为核心的传统观念。它能够给器物性陶艺的形态构建以启迪,形态的扭曲与形变、分解与重构、组合与叠加、部件的嫁接与置换等均成为器物陌生化的重要手段。经由陌生化,传统陶瓷器物实现了形态语言与审美意义的转换与再造,成为兼具古典艺术记忆与现代审美气息的现代陶艺。器物陌生化一方面有助于强化现代陶艺同传统陶瓷艺术之间的文脉关联,同时也是器物实现现代性审美转型的重要手段。

Defamiliarization,as a concept in poetics research with ontological significance,refers to“making it unfamiliar,strange and unusual.”This paper systematically introduces the methodology of defamiliarization into the study of ceramic utensils by means of comparative and interdisciplinary research.Defamiliarization as the poetic thinking mode can break through the curse of“automation”of traditional artifacts,liberating them from the linguistic of“pre-existence”of artifacts,and rebel against the core traditional conception of“functionalism.”It enlightens the form construction of object-oriented ceramic art.The distortion and deformation of form,decomposition and reconstruction,combination and superposition,grafting and replacement of parts become important means of the defamiliarization of utensils.Through defamiliarization,traditional ceramic utensils achieve a transformation and reconstruction of form language and aesthetic significance,becoming the modern ceramic art that combines classical artistic memory and modern atmosphere.On the one hand,the defamiliarization of implements helps to strengthen the contextual relationship between modern ceramic art and traditional ceramic art;on the other hand,it serves as a crucial means for implements to realize the aesthetic transformation of modernity.