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以中国两周时期为中心的“舞势”考论

An Examination of“Dance Momentum”Centered on the Two ZhouDynasties in China
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摘要 “舞势”系舞人运动过程中所呈现的“最富于孕育性的”身体态势,它是身体内部的力与能量积蓄、爆发的具体体现,也是舞蹈气韵生动与特定风格形成的关键因素,其间蕴含着艺理、人伦与哲思。中国两周时期的舞人已开始运用“俯仰”“拧转”“奔走”这三大“舞势”来建构舞蹈身体语言,不仅对门、桌、轮平面的三维空间构成有了新的认识,而且于身体运动中融入“礼”文化的观照,更将“舞势”的探索引向“神居何所”存在哲学的思考——在“俯仰”中通过仰观俯察的流观方式观照空间的高远,在“拧转”中通过周而复始的道法运动观照空间的宽博,在“奔走”中通过流动不居的万象之态观照空间的纵深。以中国两周时期为中心的“舞势”,既注重找寻身体运动开发与舞蹈技术发展之间的内在联系,也注重探求礼制规约与自由浪漫的双重人文关怀,还注重维系客观物质世界与主观精神世界的辩证统一。 The“dance momentum”is the“most nurturing”body gesture presented in the process of dancers'movement,which is a concrete manifestation of the accumulation and explosion of the body's internal force and energy,and also a key factor in the formation of the dance's vividness and specific style.Theory of art,people's ethics and philosophies are included in this fact.Dancers in the two Zhoudynasties of China begun to use the three major dance gestures of“pitching”,“twisting and turning”,and“running”to construct new dance body forms.Not only do we have a new understanding of the three-dimensional spatial composition of the door,table,and wheel planes,but we also incorporate the observation of the culture of“ritual”into our physical movements,and lead the exploration of the“dance momentum”to a philosophical contemplation that“where does god live?”To see the height of the space in“pitching”through the flowing way of looking up and down;to see the vastness of the space in“twisting and turning”through the Taoist movement of looking up and down;and to see the depth of the space in“running”through the flow of all images within body movement.These movements of“pitching”,“twisting and turning”or“running”reflect the original romantic flavor and vitality of free-flowing,enthusiastic and unceasing flow.The“dance momentum”centered on the two Zhoudynasties not only focused on finding the intrinsic connection between the development of body movement and the development of dance technique,but also focused on exploring the double humanistic care of ritual restriction and freedom and romance,and also concerned on maintaining the dialectical unity between the objective material world and the subjective spiritual world.
作者 张玉玲 Zhang Yuling(teaching and research office of dance theory,Shanghai Theatre Academy,Shanghai,200040;the School of Dance,Shanghai Theatre Academy,Shanghai,200040)
出处 《民族艺术研究》 CSSCI 2024年第5期141-151,共11页 Ethnic Art Studies
基金 2022年度国家社科基金艺术学项目“基于中国话语体系的中国古代舞蹈‘体、器、用’源流考证研究”(项目批准号:22BE078)的阶段性研究成果。
关键词 中国古代舞蹈 两周时期 舞势 俯仰 拧转 奔走 Chinese ancient dance two Zhoudynasties dance momentum pitching twisting runnin
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