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当代藏画创新艺术成果述评

A Review of the Creative Artistic Achievements of Contemporary Tibetan Paintings
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摘要 唐卡艺术是藏族传统绘画艺术的精髓,是中华民族共同创造出来的艺术瑰宝。在各民族交往交流交融的社会历史背景下,藏族绘画艺术发展过程中出现齐吴岗巴、钦则、勉唐、噶赤风格等本土主流绘画艺术形式。唐卡在内容上既有高僧大德的传奇故事,也有显密法脉传承,更有王室贵族的服饰、供养习俗、生活纪实等宗教与世俗的内容,主题极为丰富多样。文章通过风格学、图像学、艺术社会学的视角,较为系统地分析了摄影技术及根敦群培的学术思想等现代化的因素下创立的安多强巴写实主义绘画,改革开放之初在传统民族艺术的基础上探索新路子的甘孜新藏画,工艺美术大师宗者拉杰策划主绘的大型唐卡《中国藏族文化艺术彩绘大观》等长卷与系列作品,以及西藏大学艺术学院美术系丹巴绕旦教授培养出的“学院派”风格的藏画创新,和由个别艺术家创作的艺术作品等,梳理和总结了新中国成立以来藏族绘画艺术中的富有当代人文主义的艺术创新成果。 A Review of the Creative ArtistThangka art is the essence of Tibetan traditional painting art,and it is also an artistic treasure created jointly by the Chinese nation.General Secretary Xi Jinping said:“We should tap into the ideas,humanistic spirit and moral norms of fine traditional Chinese culture,integrate artistic creativity with Chinese cultural values,combine the spirit of Chinese aesthetics with contemporary aesthetic pursuit,and activate the vitality of Chinese culture.”As a guide,artists also began to pursue the artistic creation of contemporary humanistic aesthetics.This paper starts from the perspectives of stylistics,iconography and art sociology.Firstly,it focuses on the analysis of Amdo Jampa’s realist painting,which was created under the modern factors such as photography technique and Gendun Chopel’s academic thought.Then at the beginning of the reform and opening up,on the basis of traditional national art,we tried to explore a new way of new Tibetan painting in dkar mdzes.Then,the master of arts and crafts,Mr.ZunTi Rabje,led the painting of large-scale Thangka“The Great Thangka of Tibetan Art and Culture of China”and other long volumes and series of works.After that,Professor Tenpa Rabten of the Fine Arts Department of the School of Art of Tibet University cultivated the“academic”style of Tibetan painting innovation.Finally,the artistic works created by the artist’s personal will systematically sort out the contemporary humanistic Thangka artistic innovation achievements in Tibetan painting art since the founding of the People’s Republic of China.
作者 尕藏才旦 Kalsang Tsetan(Chinese Minority Art at School of Art,Xizang University)
出处 《青海师范大学学报(藏文版)》 2024年第3期119-134,共16页 Journal of Qinghai Normal University (Tibetan language)
关键词 藏画创新 人文主义 艺术成果 Tibetan painting innovation Humanism Artistic achievement ic Achievements of Contemporary Tibetan Paintings
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