论国产电影影评的民族自觉意识(1945—1949)

On the National Consciousness of Domestic Film Critics(1945—1949)

抗战胜利后,国产电影影评在历经初期的杂乱无章之后,逐渐从对影片故事内容的复述、演员演技的评价以及导演技巧的品评中脱离出来,在借镜西方影片的摄影技术以及艺术理念来反观国产电影不足的同时,更加注重国产电影在展现民族性方面的探索意识。这类影评强调对社会现实问题的呈现,注重影片内在叙事逻辑的合情与合理,从“整个国产片的前途”的角度引导电影编导者端正态度等,体现出战后国产电影影评的自觉意识。

After the victory of the War of Resistance Against Japan,the film reviews of domestic films gradually sepa-rated from the retelling of the film’s story content,the evaluation of the actors’acting skills and the evaluation of the directors’skills after experiencing the initial chaos.While reviewing the shortcomings of domestic films with the help of the photography techniques and artistic concepts of western films,they paid more attention to the exploration con-sciousness of domestic films in showing the national character.This kind of film reviews played an important role in emphasizing the presentation of social realities,paying attention to the reasonableness and rationality of the film’s in-ternal narrative logic,and guiding film directors to correct their attitudes from the perspective of“the future of the whole domestic film”,which reflected the self-awareness of domestic film reviews after the war.