“间离”与“弥合”:考古纪录片中数字再现的嵌入策略--以《埃及的失落宝藏》为例

Distancing and Bridging:Embedding Strategies of Digital Representation in Archaeological Documentaries-Taking Lost Treasures of Egypt as an Example

“数字再现”以其视听表现空间的自由属性为考古纪录片重建过去提供了新的手段,并由此介入纪录片的真实美学表达。作为一部广泛使用数字再现的系列考古纪录片,《埃及的失落宝藏》运用“间离”与“弥合”策略将数字画面嵌入纪实影像,使“假定的真实”与“纪实的真实”交织融合于纪录片的真实性主线,为我国考古纪录片中数字再现的使用提供了参考思路。

Digital representation provides a new means for archaeological documentaries to reconstruct the past through its free attributes of audio-visual expression space,thereby intervening in the authentic aesthetic expression of documentaries.As a series of archaeological documentaries widely utilizing digital representation,Lost Treasures of Egypt employs the“distancing”and“bridging”strategies to coordinate the relationship between digital images and documentary images,interweaves and integrates“assumed truth”and“documentary truth”into the authenticity theme of the documentary,and provides reference ideas for the use of digital reproduction in Chinese archaeological documentaries.