《子虚赋》《上林赋》名物空间营造与接受主体之关系

Relationship between Object Description,Space Construction and Acceptance Subject of Zixu Fu and Shanglin Fu

从文本接受主体的角度出发,探究《子虚赋》和《上林赋》在名物铺陈与空间营造方面的变化。《子虚赋》以诸侯为主体,其名物铺陈类别相对较少且空间构造有限;而《上林赋》则以天子为主要对象,名物繁复多样且空间层次重叠。两者之间的差异由主体对象的社会地位、阶层等级和帝王的喜好所决定。西汉作家以《子虚赋》《上林赋》开启了天子游猎为题材的创作,并逐渐影响到东汉时期的赋作家们。这种变化使汉大赋的赋文风格、题材和结构也发生了转变。

From the perspective of the acceptance subject,the author explores the corresponding changes in the description of object description and space construction of Zixu Fu and Shanglin Fu.Zixu Fu,with princes as the acceptance subject,has less object description and space construction;Shanglin Fu,with emperors as the acceptance subject,has complex object description and overlapped spatial levels.These are determined by the social status,class level and emperor’s preference.By Zixu Fu and Shanglin Fu,the writers of the Western Han Dynasty started the Fu writing with the theme of the emperor’s hunting and gradually influenced the writers of the Eastern Han Dynasty.This change has also changed the style,theme and structure of Dafu of the Han Dynasty.