粤剧《六国大封相》服饰色彩研究

Study on the Costume Colors in Cantonese Opera's The Grand Appointment of Six Kingdoms

文章旨在探讨粤剧传统服饰色彩的影响因素及其在《六国大封相》中的体现。通过分析传统粤剧《六国大封相》中角色的服饰色彩,探讨了传统色彩观念以及岭南色彩特征在粤剧传统服饰上的体现与表达,并分析了它们之间的色彩特征及配色规律。研究认为,粤剧服饰色彩在长期的演变过程中,既保留了传统的精髓,又不断吸收新的元素和风格,融合了不同时期的审美观念和文化特色,反映了社会的变迁和文化的交流。同时,粤剧传统服饰色彩还与其他艺术形式相互影响、相互借鉴,共同构成了丰富多彩的岭南文化艺术景观。

This article aims to explore the factors influencing the traditional costume colors in Cantonese opera and their manifestation in The Grand Appointment of Six Kingdoms.By analyzing the costume colors of characters in this traditional Cantonese opera,the study delves into the traditional concepts of color as well as the distinctive characteristics of Lingnan hues,examining how these are expressed in the costumes of Cantonese opera.Furthermore,it explores the color features and coordination patterns within these costumes.The research suggests that,over the course of its long evolution,the color schemes of Cantonese opera costumes have preserved their traditional essence while continuously incorporating new elements and styles.This fusion of aesthetics and cultural traits from different periods reflects societal changes and cultural exchanges.Additionally,the traditional color palette of Cantonese opera costumes has interacted with and drawn inspiration from other art forms,collectively contributing to the vibrant and multifaceted artistic landscape of Lingnan culture.