摘要
作为中国最具代表意义的音乐文化典籍《礼记·乐记》始终贯彻一个基本逻辑,即音乐来自人的心灵感应。本文基于音乐心理学视角,以《礼记·乐记》为文本,围绕哀心、乐心、喜心、怒心、敬心、爱心等心态与音乐的互动机理,淫志、溺志、烦志、乔志等心志与音乐的互动机理,疏达、恭俭、清廉、温良等心理品格与音乐的互动机理,探讨人的心理与音乐之间的辩证关系。
The Book of Rites,the most representative classic of Chinese music culture,consistently upholds a fundamental logic,that is,music which originates from the resonance of the human mind.Taking The Book of Rites as a case study,this paper explores from the perspective of music psychology the interaction mechanisms between music and three aspects,including various mental states of sorrow,joy,anger,reverence,love;different mental aspirations like indulgence,obsession,annoyance and arrogance,and psychological qualities of open-mindedness,respectfulness,integrity and gentleness.Through such analysis,this paper aims to investigate the dialectical relationship between human psychology and music.
作者
姜楚娟
JIANG Chujuan(Faculty of Health Science,City University of Macao,Macao 999078,China;Division of Arts,Shenzhen University,Shenzhen 518000,China)
出处
《长春师范大学学报》
2024年第11期24-27,共4页
Journal of Changchun Normal University
基金
深圳市人文社科基金项目“《礼记·乐记》的音乐心理思想及其当代价值研究”(SZ2022C018)。
关键词
《礼记·乐记》
音乐
情感
心志
品格
互动机理
The Book of Rites
music
emotions
mental aspirations
qualities
interaction mechanism