现代转型视域下的乡土塑形与人性勘探——评刘伟宏的长篇小说《大原》

Local Sentiment Shaping and Humanity Exploration from the Perspective of Modern Transformation——A Comment on Liu Weihong’s Novel Dayuan

百万字的《大原》全息性地展现出乡土中国的西北一隅历史转型的时代阵痛和心灵惊悸。它的史诗气质、恢宏格局和微观意义上的细部塑形都暗合了文化地理学与文化诗学的勘探路径,这种在多元动态的时空语境中重提地方性“知识”的审美想象和文化寻根行为,虽然在一定程度上呈现为文化保守主义的后撤姿态,但对深刻反思全球化坐标中的身份认同和人性迷失,具有独特的艺术参照价值。它关于民族性与现代性的审美钩沉、乡土怀旧与“人学”建构的话语考辨,以及自身的完成性与未完成性的复杂存留都应值得关注,也将会产生“复数”而“及物”的意义。

Dayuan shows the pains of the times and the heart palpitations of the historical transformation of the northwest corner of rural China.Its epic temperament,grand pattern and detailed shaping in the micro sense all coincide with the exploration path of cultural geography and cultural poetics.This kind of aesthetic imagination and cultural root-seeking behavior that revisits local knowledge in a multi-dynamic space-time context,although to a certain extent,presents a retreating posture of cultural conservatism,but it has a unique artistic reference value for deeply reflecting on the identity and loss of human nature in the coordinates of globalization.It is worth paying attention to its aesthetic sinking of nationality and modernity,the discourse examination of local nostalgia and the construction of human studies,and the complex existence of its own completion and unfinishedness,which will also produce the meaning of plural and transitivity.