越窑青瓷龙纹器研究

Research on Celadon Dragon Pattern Ware in Yue Kiln

龙纹作为极具中国文化辨识度的图案,曾广泛的存在陶瓷装饰领域。素有“母亲瓷”之称的越窑在东汉时期烧出成熟瓷器后,就结合刻划、贴塑、模印、彩绘等工艺技法率先开启龙纹饰在瓷器上的运用。龙纹在汉代到三国两晋时期的越窑中应用并不多见,唐五代至南宋“贡窑”时期,越窑装饰技艺取得长足发展,作为最高规格的越窑青瓷龙纹饰器更是器型釉水纹饰俱佳,在以釉色审美为圭臬的青瓷领域也有了一席之地。本文试就越窑考古出土和传世的一些典型龙纹器,综述越窑瓷器中的一些龙纹造型、工艺、纹饰等特征,加以分析探讨。

As a highly recognizable pattern of Chinese culture,the dragon pattern has been widely used in the field of ceramic decoration.Known as the"mother porcelain",the Yue kiln took the lead in opening the use of dragon pattern decoration on porcelain after firing mature porcelain in the Eastern Han Dynasty.The dragon pattern is not often used in the Yue kiln from the Han Dynasty to the Three Kingdoms and the Jin Dynasty,and the decoration skills of the Yue kiln have made great progress since the Tang Dynasty to the Southern Song Dynasty"Gong Kiln"period,and the Yue kiln celadon dragon ornament is the highest specification of the glaze water pattern decoration is good,and it also has a place in the field of celadon with glaze aesthetics.In this paper,we try some typical dragon pattern ware unearthed and handed down from the archaeology of Yue kiln,and summarize some characteristics of dragon pattern modeling,craftsmanship and ornamentation in Yue kiln porcelain,and analyze and discuss them.