摘要
本文通过研究故宫博物院藏传北宋李公麟《维摩演教图》和美国大都会艺术博物馆藏元王振鹏《维摩不二图》的风格与图式,分析二图之间的细节差异,认为故宫本体现了金代特征,应即马云卿本;大都会本临自故宫本,为元代王振鹏所作。
This thesis makes a contrast analysis between the twin paintings on‘Vimalakirti's Presentation on Buddha Doctrine’,one titled‘维摩演教图’in Chinese is attributed to Northern-Song Painter Li Gonglin now in the Palace Museum,the other named‘维摩不二图’is completed by Yuan Artist Wang Zhenpeng in the Metropolitan Museum of USA,coming to the point that the former should be created by Ma Yunqing with the artistic style of the Jin dynasty,whereas the latter should be the copy after the former,which is the work by Artist Wang Zhenpeng of the Yuan dynasty.
出处
《故宫博物院院刊》
CSSCI
北大核心
2024年第11期166-182,202,共18页
Palace Museum Journal
基金
2023年国家社科基金艺术学重大项目“晋唐宋元书画的价值阐释与保护传承研究”(项目编号:23ZD12)阶段性成果。
关键词
维摩演教图
维摩不二图
马云卿
王振鹏
图式差异
‘Vimalakirti's Presentation on Buddha Doctrine’(《维摩演教图》《维摩不二图》)
Ma Yunqing
Wang Zhenpeng
schema Differences