文艺复兴音乐断代史的分期问题

The Problem of Staging in the Period History of Renaissance Music

文艺复兴音乐作为欧洲音乐史上的重要转折点,见证了多声部复调技法的兴盛,成为衔接中世纪与巴洛克的关键阶段。欧洲各国在音乐风格和技法演变速度上差异明显,地域文化、社会背景和音乐实践的变化共同推动了文艺复兴音乐风格的演变。然而学术界对文艺复兴音乐的分期问题始终存在不同看法。该文探讨了文艺复兴音乐断代史分期问题,通过考察法国、意大利、德国、英国等国的音乐发展情况,分析了各国音乐风格演变的差异与共性,梳理了学术界对风格分期的主要争议,并讨论了跨学科方法与新技术改进分期标准的潜力,由此展望了未来研究的主要方向。

As an important turning point in the history of European music,Renaissance music witnessed the prosperity of polyphonic techniques and became a key stage connecting the Middle Ages and Baroque.There are obvious differences in the evolution speed of musical styles and techniques among European countries,and the changes of regional culture,social background and musical practice jointly promote the evolution of Renaissance musical styles.However,there are always different views on the staging of Renaissance music in academic circles.This paper discusses the periodization of Renaissance music history,analyzes the differences and commonalities of musical style evolution in different countries by examining the music development in France,Italy,Germany,England and other regions,sorts out the main disputes in academic circles on style periodization,and discusses the potential of interdisciplinary methods and new technologies to improve the periodization criteria,thus looking forward to the main directions of future research.