藏族第一部本生传记《仲敦巴本生传》艺术手法探析

A Study on the Artistic Technique of the First Tibetan Jataka Story Bka Gdams Bu Chos

文章根据《甘珠尔》中佛本生故事、《诗镜》及其相应的注释,在当代文学理论的指导下,对藏族第一部本生传记《仲顿巴本生传》的艺术手法进行了探析,认为有以下特点:一是故事情节虽然繁杂,却不失凸显主题,可谓“形散神聚”;二是事情发展顺序展开叙述,并穿插其他诸多小情节而不失其逻辑性,且引人入胜,使主人公极具传奇色彩;三是语言简明扼要、生动流畅,活灵活现的修辞手法使全文浓墨重彩、光彩夺目、形神兼备;四是通过成功塑造22位舍己为人、利益众生的伟人形象,更加凸显了噶当派鼻祖仲顿巴舍己渡人的崇高形象。

Based on the Jakata Story in Kanjur,Snyan Ngag Me Long and its commentaries,under the guidance of contemporary literary theory,this paper analyzes the artistic techniques of the first Tibetan Jataka Story Bka Gdams Bu Chos,and believes that although its plot is complex,it does not lose its main theme,which can be called“scattered in shape and concentrated in spirit”.The narration is carried out in the order of the events and intersperse with many other small plots,without losing its logic and captivating,making the protagonist highly legendary;The concise and vivid language,as well as the vivid and fluent rhetorical devices,make the entire text vivid,dazzling,and full of form and spirit;By successfully portraying the images of 22 great men who sacrifice themselves for others and benefit all living beings,it further highlights the lofty image of Dromtonpa,the founder of the Kadam School,who has sacrificed himself for others.