摘要
地铁壁画是公共场域艺术的重要载体。本文梳理了李翔的地铁壁画创作历程,并对其作品进行了多维度分析。通过探讨地铁壁画创作中人流动线与场域关系的限定性、艺术个性与观者接受度之间的关系、创作语言与特定场域适配度的处理,以及如何挖掘和展现城市的文化符号和当代精神等,阐释李翔在地铁壁画创作中的艺术主张和方法论。
Subwaymural is an important carrier of the public art.This article reviews course of Li Xiang in creating subwaymurals,and provides a multidimensional analysis of his works from academic perspective.It explores various aspects of subway mural creation,including the constraints caused by relationships between circulation and site,the balance between artistic individuality and viewer acceptance,the adaptation of artistic languages to specific sites,and how to excavate and represent an urban cultural memories and contemporary ideas,to explain Li Xiang's artistic ideas and methodology in subway mural creation.
出处
《美术观察》
CSSCI
北大核心
2024年第12期134-136,共3页
Art Observation